“Dickens published as he was writing Oliver The novel was meant to be new,” Smith told the Guardian last year. “The concept was always to do what the Victorian novelists did at a time when Written in a relatively short time and as contemporaneous as could possibly be. Smith then got the idea to write a sequence of books called Seasonal, each dealing with a season, Turnaround on her technically unprecedented novel How to Be Both, consisting of two sections printed and distributed To be even more novel, when publisher Hamish Hamilton managed a six-week In 2014, Ali Smith realized that the novel could be pushed The genre affords its readers the pleasure of witnessing as the events of their lives become literature, history. These novels, writes Manshel, fictionalize the crises of recent history before they become fully historical. This type of writing positions itself in the space between literary fiction and contemporary journalism, with notable examples being Jesmyn Ward’s Salvage the Bones, set during Hurricane Katrina, or Chimamanda Ngozi Adichie’s Americana, in which Obama’s presidency features.
The recent historical novel has been on the rise for a while, as Alexander Manshel noted in an article on Post45. The speed at which she responds to these developments may be fairly unique, yet her interest in the aspect of novelty in literature is not. Standards at least, engaging directly with narratives surrounding social andĮconomic inequality, fake news, racism and immigration in post-referendum In her latest series of novels, the ScottishĪuthor has switched to delivering near live commentary, by book publishing Through fiction since the start of her writing career-from homelessness toĬonsumerism to cyber bullying. Yorker, Ali Smith has been addressing social problems Through this political moment of breakage? Summer ask us: what holds people together who are living Responding to Britain’s divorce from the EU, but it also tells aįascinating tale about family and (budding) friendship. At heart, Autumn, Winter, Spring and Īli Smith’s seasonal quartet is often read as protest literature If you want to support Full Stop’s original literary criticism, please consider becoming a Patreon supporter. This essay was first made available last month, exclusively for our Patreon supporters.
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